NostalGeoff

Writing about the past in the present…
NostalGeoff
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    • Yacht Rock Revue…please rock

      Posted at 11:51 pm by Geoff, on June 3, 2019

      If you don’t know (and really you should), yacht rock refers to a genre of music popular in the 70s and 80s. It had high production, smooth vocals, a jazzy/r&b/pop sound, and memorable melodies. It wasn’t until the 2000s when the term yacht rock was actually coined though. It was a tongue in cheek way of referring to the stereotypical music that yuppies listened to. Possibly on a yacht.

      Yacht Rock Revue formed in 2007 as cover band specializing in the genre. Since then they’ve gone from playing in small clubs to large amphitheaters. They’ve even performed with the bands they’ve covered. Now they’re on a nationwide tour. I love yacht rock! It’s fun and catchy. I can dance to it or hum along at my work desk. It just makes me feel good. When I saw that YRR was playing at August Hall in San Francisco, I knew I had to check them out. And I wasn’t disappointed.

      Yacht Rock Revue doesn’t take itself seriously, yet it’s a serious band. They may come out in 70s clothes, floral print shirts and tight bell bottoms. But this isn’t a joke group and they’re not half-assing it out there. All seven members of the band play their instruments. This is all live, no backing track. They’re using their own vocals with almost every member getting a turn on lead. They all sound great doing it, by the way. You can see that the band has a deep appreciation for the music.  

      That feeling flowed out into the audience. It was a wide mix of people. Different generations, races, social groups, etc. But everyone was into it. Several people were wearing captain’s hats and other nautical attire. And they were all (yacht) rocking out to the show. Dancing and singing along. There was good energy going around.

      Over the course of a two hour(!!) set YRR covered almost every singer or band associated with the genre: Hall & Oates, The Doobie Brothers, Steely Dan, Toto, Kenny Loggins, Christopher Cross, Looking Glass, The Commodores, and a host of others. My favorite moments/songs were “Rich Girl”, “Peg”, “Turn Your Love Around”, “Escape (The Pina Colada Song)”, and “Easy”. There were a few songs I wasn’t as familiar with, but I still managed to get down to them. My one quibble was the inclusion of the Bee Gee’s “Stayin Alive”. That’s much more disco than yacht rock.

      After taking a very quick break, the group came out for an encore. Journey’s “Lights” was a nice ode to the San Francisco venue and had people in the crowd putting their arms around each other and swaying. Then the band came to the grand finale with an incredible rendition of Gerry Rafferty’s “Baker Street”. So many insane saxophone solos! It brought the house down (and the camera phones out). A fantastic end to an eventful night.

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      Posted in Music | 0 Comments | Tagged 70s, 80s, Concert, Reviews
    • Voulez-Vous…Ah-ha!

      Posted at 10:23 pm by Geoff, on June 3, 2019

      On April 23, 1979 ABBA came out with their sixth studio album Voulez-Vous. Similar to their previous efforts, V-V was very successful across the world. It went to number #1 in several countries and produced hit singles. With this album, the group stepped up their disco sound while staying true to their roots. 40 years later, here’s how each track breaks down for worst to best.

      10. Does Your Mother Know?

      Trust me, she doesn’t want to know about this song. I’ll be blunt. A song without Agnetha and Frida on lead doesn’t work. Bjorn is fine, but I don’t want to hear about him flirting with some jailbait. I’m also not a fan of the attempt to add a 50s/60s rock n’ roll flavor to the song. This is ABBA, not Happy Days.

      9. I Have a Dream

      There are better ABBA ballads out there.  Like “The Winner Takes It All”. I know not all ABBA songs can be winners (yeah, I did that), but this one is especially dull and mopey. It just lays there. A flat little dream that never takes off. The children’s choir doesn’t help either. Sorry, kids. I know, I’m heartless.

      8. Chiqitita

      I’m surprised this was the lead single off the album when there are so many better choices. See below. This song feels very middle of the road and generic to me. Not a great introduction to the world for your new album. Also, I always felt like Chiqitita was the lame cousin of “Fernando”. Maybe because they were placed back to back on the ABBA Gold Album. In any case, the group has done better Spanish-adjacent material. 

      7. The King Has Lost His Crown

      Frida takes the lead here, singing about an old love who has lost his mojo. His new girl is leading him around and he can’t do a thing about it. He just has to cry for her. Poor king. But good for us. This is cool little track. Subtle by this group’s standards. It almost feels like a Yacht Rock song with it’s easy vibe. ABBA meets Steely Dan.

      6. Lovers (Live a Little Longer)

      A doctor has announced that lovers live longer. So, making love is the key to staying alive. It’s the new fountain of youth. Mmmmk. There’s a “Doctor’s Orders” connection to be made somewhere. Also, how voyeuristic that they don’t care who sees them getting busy. Sassy, ABBA. Wacky lyrics aside, this is an alright song. The slight funky feel is a nice touch.  

      5. Kisses of Fire

      I like the pretty ethereal start, with just the vocal. It climbs and climbs until the beat kicks in.  Then it’s a soaring chorus with a fast delivery. This didn’t really need the disco strobe-like beat. But it doesn’t hurt it either.

      4. Angel Eyes

      Seeing your ex with his new piece is never fun. Especially when you find out he’s running the same game on them that worked on you. How uninspired. But, really, how hypnotizing are those eyes anyways? As mesmerizing as this song, maybe. You can’t help but get caught up in it all. I don’t care if I have to pay the price. Ah-ha-ha.

      3. As Good as Knew

      I can’t say enough about the intro with the strings. And then that awesome beat jumps out at you. It’s like classical meets disco. Like Beethoven getting down at Studio 54. An odd mix, but it really works. You almost don’t need any words. But some fun lyrics about staying in love together forever and that “mamamamamama” make it even better. Big points for that bridge too.

      2. If It Wasn’t for Nights

      The nights are hard, man. You’re going about your day-to-day. Appointments and stuff. But then you get home after 5pm and all you can think about is that lost love. We’ve all been there. A good ABBA song is a nice remedy though. This danceable gem is especially comforting. You may be alone staring at the walls, but at least you have something to bop along to. *Bonus* Check out the BBC TV performance of this song from ’79. Typical tacky ABBA costumes. Definitely lip-synched. But Frida steals the show with her playful dancing. It’s a little nutty and I enjoy it

      1. Voulez-Vous

      This is simply the best track on the album. Disco at its finest. As if ABBA had a baby with Chic. It’s hard to top the intro from AGAK, but this does. The guitar revs you up for what’s to come. Those hand claps and the ah-ha’s. Then the horns kick it all into overdrive. You have to get up and dance when this comes on. There’s even a breakdown perfect for a Soul Train line. A very Swedish line, but fun none the less.

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      Posted in Music | 0 Comments | Tagged 70s, Anniversary, Music
    • Miss Ross…The Boss Album

      Posted at 9:47 pm by Geoff, on June 3, 2019

      In 1979 Diana Ross came out with The Boss. For this album, she teamed up with Nick Ashford and Valerie Simpson, yet again, to create one of the most successful records of her career. Her first solo effort to be certified gold. The songs she came up with represent a mix of r&b, disco, and soul. Some are fantastic. Some, not so much.

      Here are The Boss tracks ranked from worst to best…

      8. I’m in the World

      This song does not belong in the world. IITW is the last track and you can see why it was buried there. I believe it’s supposed to be a powerful anthemic ballad about being strong in the face of adversity. At least that was the goal. But the execution is a meandering mess. Bad lyrics, sleepy melody, and absolutely no hook. Just a repetition of the title. The one saving grace is Diana’s vocal. It’s quite beautiful. If only the song was worthy of her.

      7. All for One

      This is a small step up from I’m in the World.  Very small. The song is slightly more entertaining. But it ends up being the poor man’s version of “Reach Out and Touch (Somebody’s Hand)” none the less. We’re all in this together, love your brother, a house divided can’t stand. Insert your cliché of choice, this song has it. But a bunch of mashed up sayings don’t add up to something I’d want to listen to more than once.

      6. Sparkle

      How funny that Diana would have a song that shares its name with a movie that was widely believed to be a takeoff of her life with the Supremes. If only the song had such drama. Instead it’s a dull ballad about a man that came into her life and put the sparkle back in her smile. But then he leaves her. Is the message that it’s better to have loved and lost? Eh. Who cares? At least there’s a nice jazzy saxophone break.

      5. Once in the Morning

      Diana needs loving twice a day. Once in the morning and once in the evening. Alright then. This song is the love child (I did that intentionally) of Donna Summer’s “Love to Love You Baby” and “I Need Love”. That’s not a good thing. Diana should be herself, not Donna. But, if you’re going to imitate Donna, at least do it well. A basic disco song is not the way to go.

      4. I Ain’t Been Licked

      Unintentionally funny title aside, this is a pretty good song. An anthem done right for once on this album. She lost her love and everyone expected her to fall apart, but she rose above it all. And she’ll keep rising. She’s a prizefighter who won’t let anyone take her down. I love the strong tone of this song. Big points for the background singers on the chorus. It’s like she has an army behind her.

      3. No One Gets the Prize

      In this one, Diana and her best friend have a falling out over a man. First of all, what fool would compete with Miss Ross? She’s a winner baby! But actually, nobody gets the prize because the guy drops them both. He was probably tired of all the lies and dirt they were throwing at each other in order to catch him. So, Diana lost her man and her best friend. But she still has a funky track to dance to.

      2. It’s My House

      This comes in at a very close second to the top song on my list. It’s one of my favorites of Diana’s, period. This is the song you play after you get home from the club. You’ve danced your ass off, but you still want to move a little. I love how playful the vibe is here. She coos about her house of love and how not everyone is invited. You gotta follow the rules to ger her. Who knew that describing home ownership could be so sexy?

      1. The Boss

      Of course, this song is number one. It’s The Boss after all. Diana thought she had everything figured out about love. But the joke’s on her after love shows her who’s the boss. A lot of people can relate to this one. You think you’re in control and then someone flips the script. But it’s a good thing because you found love after all. Letting go of control is a good thing. Letting go while dancing it out to this unforgettable disco song is even better.

      ** SIDE NOTE**

      If you want more Diana Ross/1979 amazingness, I suggest you take a look at her Caesars Palace concert from that year. You can find the whole show on YouTube. It has everything you want. Impressive vocals, joyful energy, that glowing smile, and a skintight shiny jumpsuit that only a Boss could wear! Ohhh!

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      Posted in Music | 0 Comments | Tagged 70s, Anniversary, Music
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