Glitter was an epic disaster that nearly destroyed Mariah Carey’s career. That’s a dramatic statement, but it’s true. Up until 2001, Mariah was on top of her game, releasing one multi-platinum album after another and racking up fifteen #1 singles. Then she decided to try her hand at acting. Glitter (originally titled All that Glitters) is A Star is Born-like story about Billie (Carey), an aspiring singer in 1980s New York, who meets Dice (Max Beesley), a DJ who helps to propel her career as his own is flailing. There’s romance, drama, and lots of great music from the era. Good idea in theory, but horribly executed. The movie bombed and shortly before its premiere Mariah suffered a very public breakdown. The press had a field day roasting her downfall. The one good thing to come out of this mess was the soundtrack to Glitter. Unfortunately, it was released on 9/11 and was pretty much ignored. But it’s still a great album that just happened to get overshadowed by a bad movie. Hopefully people can appreciate it all these years later and see how ahead of the curve Mariah was by revisiting the 80s in the early 2000s.
11. Don’t Stop (Funkin for Jamaica)
You know what this song needs more of? Mariah. It’s Mystikal rapping for two verses while Mariah sings the hook. Yes, she comes in strong near the end, but it’s not enough. The original version, “Funkin for Jamaica”, is much better.
10. Last Night a DJ Saved My Life
Similar to “Jamaica”. I could have done with less Busta Rhymes. At least Mariah sings more here. Nice bass line too.
She wrote “Twister” about her friend who committed suicide. It’s a beautiful tribute.
8. Want You
You’re enveloped by powerful synthesizers and layered vocals on this r&b jam. Plus, Eric Benet is a good match for her musically.
7. Reflections (Care Enough)
Billie’s song lamenting being abandoned by her mother, as a child. A lovely sad melody
6. Never to Far
A big sweeping ballad with an amazing belting note at the end. Loooooooove! Billie sings this after Dice is killed…sorry for the 20 year old spoiler.
5. If We
Mariah collaborates with Ja Rule and Nate Dogg on this seductive track. A winning trinity. It should have been a single, but there was drama behind the scenes. More on that later.
4. I Didn’t Mean to Turn You On
Mariah is living her pop dance diva fantasy on her cover of Cherelle’s 1984 hit. She’s flirty and coquettish, enticing you to get on the dance floor. But, she’s not to blame if you get turned on.
3. All My Life
Rick James wrote “Life” and you can hear him all over it. You would think it came from his Street Songs album. He brings out a certain spicy sexy side to her that you don’t usually hear. A Mariah Jane girl.
2. Lead the Way
Mariah shows some restraint on the first two verses, but when the bridge comes along she takes off. She scales the high notes with her vocal agility, leading the way for every “female entertainer” that comes after her. Simply gorgeous.
1. Loverboy (Original & Remix)
When Mariah initially recorded “Loverboy” she sampled an obscure song called “Firecracker”. Unfortunately, her ex-husband, Sony Chairman Tommy Mottola, heard the track and stole the sample for Jennifer Lopez’s song “I’m Real”. Mariah had to scramble to remake “Loverboy”, ultimately choosing Cameo’s “Candy” as the basis for the song. Mottola took his douchebaggery up a notch when he hired Irv Gotti to produce a track for JLo and Ja Rule, just like what he’d done on Mariah’s “If We”. That became the “I’m Real (Remix)” which was an enormous hit and thus made it so Mariah couldn’t release her own duet with Ja Rule.
Having heard both versions of “Loverboy”, I’ll say the Cameo sample works better. It takes you back in time and the addition of Ludacris and Da Brat on the remix brings in a modern hip-hop flair. “Loverboy” wouldn’t reach #1 on the charts, but it came in at a strong #2. It was the biggest selling single of 2001, proving you can never count Mariah out. Or as Da Brat raps, “Hate on me much as you want to. You can’t do what the fuck I do. Bitches be emulatin’ me daily.”