NostalGeoff

Writing about the past in the present…
NostalGeoff
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    • Yacht Rock Revue…please rock

      Posted at 11:51 pm by Geoff, on June 3, 2019

      If you don’t know (and really you should), yacht rock refers to a genre of music popular in the 70s and 80s. It had high production, smooth vocals, a jazzy/r&b/pop sound, and memorable melodies. It wasn’t until the 2000s when the term yacht rock was actually coined though. It was a tongue in cheek way of referring to the stereotypical music that yuppies listened to. Possibly on a yacht.

      Yacht Rock Revue formed in 2007 as cover band specializing in the genre. Since then they’ve gone from playing in small clubs to large amphitheaters. They’ve even performed with the bands they’ve covered. Now they’re on a nationwide tour. I love yacht rock! It’s fun and catchy. I can dance to it or hum along at my work desk. It just makes me feel good. When I saw that YRR was playing at August Hall in San Francisco, I knew I had to check them out. And I wasn’t disappointed.

      Yacht Rock Revue doesn’t take itself seriously, yet it’s a serious band. They may come out in 70s clothes, floral print shirts and tight bell bottoms. But this isn’t a joke group and they’re not half-assing it out there. All seven members of the band play their instruments. This is all live, no backing track. They’re using their own vocals with almost every member getting a turn on lead. They all sound great doing it, by the way. You can see that the band has a deep appreciation for the music.  

      That feeling flowed out into the audience. It was a wide mix of people. Different generations, races, social groups, etc. But everyone was into it. Several people were wearing captain’s hats and other nautical attire. And they were all (yacht) rocking out to the show. Dancing and singing along. There was good energy going around.

      Over the course of a two hour(!!) set YRR covered almost every singer or band associated with the genre: Hall & Oates, The Doobie Brothers, Steely Dan, Toto, Kenny Loggins, Christopher Cross, Looking Glass, The Commodores, and a host of others. My favorite moments/songs were “Rich Girl”, “Peg”, “Turn Your Love Around”, “Escape (The Pina Colada Song)”, and “Easy”. There were a few songs I wasn’t as familiar with, but I still managed to get down to them. My one quibble was the inclusion of the Bee Gee’s “Stayin Alive”. That’s much more disco than yacht rock.

      After taking a very quick break, the group came out for an encore. Journey’s “Lights” was a nice ode to the San Francisco venue and had people in the crowd putting their arms around each other and swaying. Then the band came to the grand finale with an incredible rendition of Gerry Rafferty’s “Baker Street”. So many insane saxophone solos! It brought the house down (and the camera phones out). A fantastic end to an eventful night.

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      Posted in Music | 0 Comments | Tagged 70s, 80s, Concert, Reviews
    • Amazing Grace…Review

      Posted at 10:59 pm by Geoff, on June 3, 2019

      Going to church has never been my thing. When I was a kid, I would use any excuse to get out of going. Right down to the “put the thermometer on the light bulb to fake a fever” trick. Church didn’t interest me. All that preaching, testifying, and bible verse reading. I thought it was extremely boring. Except for one thing: the music. Once the organ started playing and the choir stood up to sing, I perked up. That was the good stuff. The songs that made me want to clap along. I wouldn’t really sing though. I mainly wanted to listen to the pros do it. People like Aretha Franklin. No, I never actually got to hear Aretha sing live. She wasn’t visiting my church anytime soon. But with the new movie, Amazing Grace, I get pretty close to attending a service featuring the Queen of Soul.

      In 1972, director Sydney Pollack captured the live recording of Aretha’s gospel album, Amazing Grace, as she performed at the New Missionary Baptist Church in LA. It would go on to become the best-selling gospel album of all time. The film didn’t fare so well. Due to technical problems, it was never released. Even after these issues were resolved, decades later, Aretha blocked the film from coming out. But, after her death, her family finally gave their blessing.

      I’m grateful that this film was able to be salvaged. You are getting peak Aretha here. Her voice fills the auditorium wrapping itself around you. Over two nights she sings a collection of standard hymns like, “Mary Don’t You Weep”, “How I Got Over”, and my favorite here, “Wholy Holy”. There’s also an interesting mashup of “Precious Lord, Take My Hand” and Carol King’s ballad “You’ve Got a Friend”. Surprisingly, the songs blend perfectly together. The greatest moment is the finale with “Never Grow Old”. Aretha works the entire room into a frenzy. At one point, she’s so overcome with emotion that she has to sit down. But she gathers herself and is able to deliver a final wail, much to the delight of the crowd. And the viewers. It’s truly wondersome.

      Even after remastering the film it’s still not that polished. At times the camera is out of focus. Or you can see crew members in a shot. At one point, the camera is shaking as if the person holding it was dancing along to the music. Perhaps he got caught up in the moment. I actually like that this isn’t a slick production. It feels more real and raw. And New Mission isn’t very fancy either. This a simple place where people gather for worship and fellowship. Before “mega church” became the norm. I also enjoyed the crowd reactions. These aren’t paid extras. You can tell they’re feeling Aretha and the spirit as if they’re not being filmed. A few times you catch Mick Jagger making a cameo in the pews. But he’s really just another parishioner moving to the beat.

      The thing I appreciate most about this film is that it’s focused on Aretha and the music. Yes, it’s set in a church and she’s signing about Jesus, but you don’t have to be a believer in any particular religion to enjoy it. For some the message and the word of God is important. For others, not so much. But all can agree that they are moved by Aretha’s voice. This speaks to the power of music to bring all walks of people together. And the greatness of the Queen who delivers it.

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      Posted in Movies | 0 Comments | Tagged 70s, Documentary, Movies, Music, Reviews
    • Voulez-Vous…Ah-ha!

      Posted at 10:23 pm by Geoff, on June 3, 2019

      On April 23, 1979 ABBA came out with their sixth studio album Voulez-Vous. Similar to their previous efforts, V-V was very successful across the world. It went to number #1 in several countries and produced hit singles. With this album, the group stepped up their disco sound while staying true to their roots. 40 years later, here’s how each track breaks down for worst to best.

      10. Does Your Mother Know?

      Trust me, she doesn’t want to know about this song. I’ll be blunt. A song without Agnetha and Frida on lead doesn’t work. Bjorn is fine, but I don’t want to hear about him flirting with some jailbait. I’m also not a fan of the attempt to add a 50s/60s rock n’ roll flavor to the song. This is ABBA, not Happy Days.

      9. I Have a Dream

      There are better ABBA ballads out there.  Like “The Winner Takes It All”. I know not all ABBA songs can be winners (yeah, I did that), but this one is especially dull and mopey. It just lays there. A flat little dream that never takes off. The children’s choir doesn’t help either. Sorry, kids. I know, I’m heartless.

      8. Chiqitita

      I’m surprised this was the lead single off the album when there are so many better choices. See below. This song feels very middle of the road and generic to me. Not a great introduction to the world for your new album. Also, I always felt like Chiqitita was the lame cousin of “Fernando”. Maybe because they were placed back to back on the ABBA Gold Album. In any case, the group has done better Spanish-adjacent material. 

      7. The King Has Lost His Crown

      Frida takes the lead here, singing about an old love who has lost his mojo. His new girl is leading him around and he can’t do a thing about it. He just has to cry for her. Poor king. But good for us. This is cool little track. Subtle by this group’s standards. It almost feels like a Yacht Rock song with it’s easy vibe. ABBA meets Steely Dan.

      6. Lovers (Live a Little Longer)

      A doctor has announced that lovers live longer. So, making love is the key to staying alive. It’s the new fountain of youth. Mmmmk. There’s a “Doctor’s Orders” connection to be made somewhere. Also, how voyeuristic that they don’t care who sees them getting busy. Sassy, ABBA. Wacky lyrics aside, this is an alright song. The slight funky feel is a nice touch.  

      5. Kisses of Fire

      I like the pretty ethereal start, with just the vocal. It climbs and climbs until the beat kicks in.  Then it’s a soaring chorus with a fast delivery. This didn’t really need the disco strobe-like beat. But it doesn’t hurt it either.

      4. Angel Eyes

      Seeing your ex with his new piece is never fun. Especially when you find out he’s running the same game on them that worked on you. How uninspired. But, really, how hypnotizing are those eyes anyways? As mesmerizing as this song, maybe. You can’t help but get caught up in it all. I don’t care if I have to pay the price. Ah-ha-ha.

      3. As Good as Knew

      I can’t say enough about the intro with the strings. And then that awesome beat jumps out at you. It’s like classical meets disco. Like Beethoven getting down at Studio 54. An odd mix, but it really works. You almost don’t need any words. But some fun lyrics about staying in love together forever and that “mamamamamama” make it even better. Big points for that bridge too.

      2. If It Wasn’t for Nights

      The nights are hard, man. You’re going about your day-to-day. Appointments and stuff. But then you get home after 5pm and all you can think about is that lost love. We’ve all been there. A good ABBA song is a nice remedy though. This danceable gem is especially comforting. You may be alone staring at the walls, but at least you have something to bop along to. *Bonus* Check out the BBC TV performance of this song from ’79. Typical tacky ABBA costumes. Definitely lip-synched. But Frida steals the show with her playful dancing. It’s a little nutty and I enjoy it

      1. Voulez-Vous

      This is simply the best track on the album. Disco at its finest. As if ABBA had a baby with Chic. It’s hard to top the intro from AGAK, but this does. The guitar revs you up for what’s to come. Those hand claps and the ah-ha’s. Then the horns kick it all into overdrive. You have to get up and dance when this comes on. There’s even a breakdown perfect for a Soul Train line. A very Swedish line, but fun none the less.

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      Posted in Music | 0 Comments | Tagged 70s, Anniversary, Music
    • tick…tick…tick

      Posted at 10:05 pm by Geoff, on June 3, 2019

      I can always count on Turner Classic Movies (TCM) to introduce me to interesting films. I like to go thru their lineup each week and search for new (to me) titles. This happened recently with the 1970 drama Tick…Tick…Tick.

      In Tick, Jim Price (Jim Brown) is elected as the first black sheriff of Colusa, a small southern town. Not surprisingly, this doesn’t go over well with the white population. They don’t want this “boy” as their sheriff. They’re lined up outside the police station on his first day, ready to attack. His deputies promptly quit on him. And things get worse when Sheriff Price has to arrest John Braddock (Robert Random) a rich white man charged with committing vehicular manslaughter. Luckily, Jim has John Little (George Kennedy) the former sheriff on his side, as well as Mayor Parks (Frederic March).

      It would be easy to dismiss this movie as a knock off of In the Heat of the Night. The Best Picture Oscar winner came out two years before Tick and it explores similar themes: black men placed in roles of authority in a racially divided south are met with challenges and have to prove themselves. In a funny coincidence, Tick’s screenwriter, James Lee Barrett, went on to create the TV version of In the Heat of the Night in 1988.

      But Tick isn’t trying to be ITHOTN. It stands out on its own with a compelling story. There are also three strong leading men. Brown, a former professional football player, easily makes the transition into acting. Kennedy plays the hurt and disappointment of a man who has suddenly been ousted from a job he truly cared about. And veteran film star, March, provides both comedy and a masterful presence as the cantankerous Mayor Parks.

      Director Ralph Nelson does a wonderful job of creating the feel of this tense overheated southern town. The sweat practically drips of the screen into your living room (or theatre, if you’re lucky to catch a screening). I also appreciated the fantastic chase scene where Sheriff Price has to run down an elusive Braddock. The camera stays with Brown as he practically flies across the screen.

      If I have a complaint about the movie, it would be that the story wraps up a little too easily. I wouldn’t have minded a couple of more beats before we got to the conclusion. I’d also say the roles for the women are very limited. They don’t have much to do and are portrayed as nagging wives, screeching harpies, or worse, victims. But these faults don’t take away from an overall enjoyable film.

      **BONUS**

      https://www.youtube.com/watch?v=SS2ZMMvwdhQ

      Big points for the soundtrack, made up of Tompall and the Glaser Brothers songs. They contribute to the flavor of the film. The best of the bunch is “California Girl (And the Tennessee Square)”. A pure toe tapper with a Thoreau reference tossed in!

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      Posted in Movies | 0 Comments | Tagged 70s, Movies
    • Miss Ross…The Boss Album

      Posted at 9:47 pm by Geoff, on June 3, 2019

      In 1979 Diana Ross came out with The Boss. For this album, she teamed up with Nick Ashford and Valerie Simpson, yet again, to create one of the most successful records of her career. Her first solo effort to be certified gold. The songs she came up with represent a mix of r&b, disco, and soul. Some are fantastic. Some, not so much.

      Here are The Boss tracks ranked from worst to best…

      8. I’m in the World

      This song does not belong in the world. IITW is the last track and you can see why it was buried there. I believe it’s supposed to be a powerful anthemic ballad about being strong in the face of adversity. At least that was the goal. But the execution is a meandering mess. Bad lyrics, sleepy melody, and absolutely no hook. Just a repetition of the title. The one saving grace is Diana’s vocal. It’s quite beautiful. If only the song was worthy of her.

      7. All for One

      This is a small step up from I’m in the World.  Very small. The song is slightly more entertaining. But it ends up being the poor man’s version of “Reach Out and Touch (Somebody’s Hand)” none the less. We’re all in this together, love your brother, a house divided can’t stand. Insert your cliché of choice, this song has it. But a bunch of mashed up sayings don’t add up to something I’d want to listen to more than once.

      6. Sparkle

      How funny that Diana would have a song that shares its name with a movie that was widely believed to be a takeoff of her life with the Supremes. If only the song had such drama. Instead it’s a dull ballad about a man that came into her life and put the sparkle back in her smile. But then he leaves her. Is the message that it’s better to have loved and lost? Eh. Who cares? At least there’s a nice jazzy saxophone break.

      5. Once in the Morning

      Diana needs loving twice a day. Once in the morning and once in the evening. Alright then. This song is the love child (I did that intentionally) of Donna Summer’s “Love to Love You Baby” and “I Need Love”. That’s not a good thing. Diana should be herself, not Donna. But, if you’re going to imitate Donna, at least do it well. A basic disco song is not the way to go.

      4. I Ain’t Been Licked

      Unintentionally funny title aside, this is a pretty good song. An anthem done right for once on this album. She lost her love and everyone expected her to fall apart, but she rose above it all. And she’ll keep rising. She’s a prizefighter who won’t let anyone take her down. I love the strong tone of this song. Big points for the background singers on the chorus. It’s like she has an army behind her.

      3. No One Gets the Prize

      In this one, Diana and her best friend have a falling out over a man. First of all, what fool would compete with Miss Ross? She’s a winner baby! But actually, nobody gets the prize because the guy drops them both. He was probably tired of all the lies and dirt they were throwing at each other in order to catch him. So, Diana lost her man and her best friend. But she still has a funky track to dance to.

      2. It’s My House

      This comes in at a very close second to the top song on my list. It’s one of my favorites of Diana’s, period. This is the song you play after you get home from the club. You’ve danced your ass off, but you still want to move a little. I love how playful the vibe is here. She coos about her house of love and how not everyone is invited. You gotta follow the rules to ger her. Who knew that describing home ownership could be so sexy?

      1. The Boss

      Of course, this song is number one. It’s The Boss after all. Diana thought she had everything figured out about love. But the joke’s on her after love shows her who’s the boss. A lot of people can relate to this one. You think you’re in control and then someone flips the script. But it’s a good thing because you found love after all. Letting go of control is a good thing. Letting go while dancing it out to this unforgettable disco song is even better.

      ** SIDE NOTE**

      If you want more Diana Ross/1979 amazingness, I suggest you take a look at her Caesars Palace concert from that year. You can find the whole show on YouTube. It has everything you want. Impressive vocals, joyful energy, that glowing smile, and a skintight shiny jumpsuit that only a Boss could wear! Ohhh!

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      Posted in Music | 0 Comments | Tagged 70s, Anniversary, Music
    • The Best of Enemies…Review

      Posted at 9:26 pm by Geoff, on June 3, 2019

      It’s helpful to go into The Best of Enemies with few expectations. This won’t be the best movie you see all year, but it won’t be the worst either. It’s just…adequate.

      The film, set in 1971 North Carolina, focuses on a civil rights activist and a local KKK leader who form a highly unlikely friendship. Ann Atwater (Taraji P. Henson) and C.P. Ellis (Sam Rockwell) are called upon to co-chair a community summit (aka a charette) about school desegregation. Of course, from the start they hate each other. Slurs are thrown around by both sides. But over the course of the summer they grow to sorta kinda like each other. Big emphasis on sorta.

      If this wasn’t a true story, I’d say it could never have happened in a million years. And really, the wild premise is the best thing about the movie. I had no idea this small part of history existed. Too bad the script doesn’t help to flesh it out better.

      This could have been a great historical drama with equal focus on Ann and C.P. I would have liked to learn more about Ann and her life, beyond being an activist for her community. Instead, so much of the movie is devoted to C.P.’s journey. This means a lot of focus on the Klan. Which translates to several scenes with racists being racist. What’s the point? You don’t have to convince me that these are disgusting people. One Klan meeting would have sufficed. Also, the film feels very long, moving at a glacial pace. Not playing the same bigoted beat over and over would have gone a long way to help that.

      Henson and Rockwell are fantastic as usual. They both deliver strong performances. Anne Heche also stands out in her role as C.P.’s wife. But I wish they had better material to work with here. 

      Some are going to argue that this movie is another Green Book or The Help. There are similar themes for sure. But The Best of Enemies can’t live up to the movies that came up before it. And it will surely be forgotten by the time award season comes around, unlike its counterparts. But if a moviegoer is looking for a fairly entertaining film to fill their matinee slot, again, this will be adequate.  

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      Posted in Movies | 0 Comments | Tagged 70s, Biopic, Movies, Reviews
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