NostalGeoff

Writing about the past in the present…
NostalGeoff
  • Home
  • About
  • Contact
  • Tag: Documentary

    • Scream, Queen! My Nightmare on Elm Street…Review

      Posted at 8:32 am by Geoff, on March 10, 2020

      The documentary Scream, Queen! My Nightmare on Elm Street thoroughly delves into the history of A Nightmare on Elm Street 2: Freddy’s Revenge and the effect it had on its star, Mark Patton. It’s an interesting look at how a movie can change someone’s life for better or worse.

      In the first Elm Street, a group of teenagers are stalked and killed by boogeyman Freddy Kruger (Robert Englund) in their nightmares. Nancy (Heather Langenkamp), the final girl, survives and defeats him. The movie did extremely well at the box office and led to a sequel being rushed into production. Part 2 strayed from the original’s formula though. For starters, the final girl was replaced with a guy, Jesse (Patton). That wasn’t something you normally saw back then. Also, Freddy wasn’t just haunting Jesse, he wanted to possess him and escape the dream world. The movie was moderately successful compared to the first. The biggest critique, mainly coming from straight men, was that it was too gay. They weren’t that off base.

      In the film, Freddy wants to “get inside Jesse’s body” and his interactions with his prey are quite homoerotic. Then there’s Jesse’s possibly gay gym teacher, Coach Schneider (Marshall Bell). Jesse dreams about running into him in at a leather bar. Later, Schneider is stripped (rare male nudity) and whipped with towels. Seriously. There’s also the notion that Jesse (and Patton) wasn’t masculine enough. It was said that he was too sensitive and screamed like a girl. The criticism negatively impacted Patton’s life. At the time he was a closeted actor trying to make it in Hollywood, so he worried that being associated with anything gay would derail his career. This was also 1985, the height of the AIDS epidemic. Gay equalled diseased and ultimately blacklisted. Patton discovered he was HIV-positive and retreated from acting. He went off the grid and moved to Mexico.

      The documentary cuts to the present day with Patton coming to terms with Freddy’s Revenge. He’s still hurt by the jabs about his performance in the film and blames one person in particular, the screenwriter. For decades, David Chaskin denied that he purposely put gay elements into his script. Instead he inferred that Patton made the movie gay. But he never had a conversation with Patton about it either way. Luckily, the documentary captures their long-time-coming meetup. The film also shows Patton interacting with his former castmates, going to horror movie conventions, and doing Q&A’s after screenings of Freddy’s Revenge. You see that he’s accepted the legacy of the movie and Jesse. Yes, he still has issues from his past experiences, but he has been able to move on and create a good life for himself outside of Hollywood. Instead of becoming bitter he has a sense of humor about the situation. Plus, the once panned movie has now become a cult classic for many.

      I like that Scream, Queen! co-directors Roman Chimienti and Tyler Jensen also focus on the overall appeal of horror movies to gay audiences. Many of the interviewees are fans of the genre who talk about escaping from their own harsh realities through these films. As outsiders, they find strength in seeing the protagonist fight back and beat the evil that is out to get them. It’s even more meaningful when a gay character or theme is added to the mix. The filmmakers show how powerful it is when a horror fan can identify with these movies with one fan mentioning how Jesse inspired him. Hopefully, in the future there will be more final “out of the ordinary” guys in horror movies and it won’t be so scary.

      Share this:

      • Click to share on X (Opens in new window) X
      • Click to share on Facebook (Opens in new window) Facebook
      Like Loading...
      Posted in Movies | 0 Comments | Tagged 80s, Documentary, Movies, Reviews
    • Making Montgomery Clift…Review

      Posted at 12:11 am by Geoff, on July 3, 2019

      The documentary Making Montgomery Clift aims to paint a more accurate picture of the classic Hollywood actor. I feel like most people only know a few facts about him. And some of those facts are quite shaky. But if you don’t want to dig deeper about a subject, you tend to go with the basic things out there. Co-directors Robert A. Clift and Hillary Demmon set out to fill in the details that previous movies, books, or TV specials left out. Robert, Montgomery’s nephew, is especially invested in correcting the stories that have been told about his uncle over the years.

      The biggest misconception that the film sets out to dispel is that Montgomery was a tragic figure. Supposedly he was a self-hating homosexual who was slowing killing himself with heavy drinking and pills. The film doesn’t try to skip over his vices, but it’s clear that he didn’t have a death wish either. He seemed to have enjoyed his life. In terms of his sexuality, he was open as one could be at that time about being into men. His friend Jack Larson speaks of how Montgomery was affectionate with him, going so far as to kiss him in a restaurant. He refused to play the game, like other gay actors in that period, by getting married to a woman. In addition, many interviewees in the film talk about his light-hearted jovial spirit. Definitely not the walking tragedy he was reported to be.

      A lot of attention was paid to Montgomery’s appearance. He was an exceptionally beautiful man and his talent often gets overshadowed by his looks. The documentary goes into detail about how serious he was about acting. He was very choosy about which movies he made turning down many prominent roles, like the lead in Sunset Boulevard. Montgomery also refused to sign a contract with a studio. He wanted to be a free agent and avoid being controlled by the system. In the middle of his career, he was involved in a horrific car accident that altered his appearance dramatically. It was alleged that this contributed to his downward spiral. But a talking head in the film says Montgomery actually preferred how he looked after the accident. The focus wasn’t on his looks anymore and he could become more of a character actor.

      The one flaw in this valuable history lesson of a film is the focus on Montgomery’s brother William Brooks Clift Jr. Like his son, Robert, William was invested in correcting the false information that had been put out about his brother. He was a bit obsessed with his brother’s career actually. William horded pictures, home movies, newspaper clippings, and audio recordings featuring Montgomery. The film devotes a lot of time to this obsession. It makes sense that Robert would want to mention his father. He certainly influenced the movie. But so much detail slows down the narrative and the focus is taken away from Montgomery. It all could have been trimmed down more.

      I felt like I walked out of Making with a better understanding of who Montgomery was as a person. And, it definitely made me side-eye previous reports about him. In a voice-over, Robert speaks of wanting to give back the dignity that past tabloid tales took away from his uncle. I think he definitely achieves his goal with this film.

      Share this:

      • Click to share on X (Opens in new window) X
      • Click to share on Facebook (Opens in new window) Facebook
      Like Loading...
      Posted in Movies | 0 Comments | Tagged 50s, 60s, Documentary, Movies, Reviews
    • Halston…always in fashion

      Posted at 7:33 pm by Geoff, on June 19, 2019

      The documentary Halston tells the story of the famous fashion designer who made a huge mark on the industry in the 70’s and 80’s. Halston started out as a hat designer for Bergdorf Goodman, going on to create Jackie Kennedy’s iconic pillbox hat for JFK’s inauguration. Hats soon evolved into an entire women’s line. His style was effortless chic. Simple, but stunning pieces that flattered a women’s body. Soon he branched out into perfume, menswear, bedding, and even flight attendant uniforms. It seemed like everything he touched made a profit. Of course, his precipitous rise led to an even bigger fall. Three things did him in: drugs/partying, selling his company/name to a corporation, and partnering with JC Penny for a more cost-friendly line. The documentary focuses a great deal of time on that last one. Soon Halston found himself shunned by the fashion world and kicked out of his own company. Six years later he was dead at age 57 from AIDS-related complications. An incredibly sad end for such a towering man.

      My main issue with the movie is that director Frederic Tcheng could have presented a more well-rounded look at Halston, the man. His personal life gets so little airtime. There are about two sentences devoted to his relationship with illustrator Victor Hugo. Leaving the viewer to wonder exactly how this love affair began and ended. Then there’s the missing chunk of time between losing his company in 1984 and his death in 1990. Did he keep on designing? Were there any hopes of staging a comeback? All a mystery. Similarly, the years after he died, when the Halston line was revisited by other designers in the late 90s and 2000s, is given zero play. Tcheng missed out on an opportunity to go further into the story. I could have also done without the filmmaker’s fictional narrator framing device. The interludes featuring her were fairly corny and unnecessary.

      On the plus side, there are several great moments in the film. For starters, seeing Halston’s stunning designs in all their 70s/80s glory. He had such a talent for making simplistic clothing seem very glamorous. He really put his stamp on that era in fashion. All of the archival footage is captivating. The Battle of Versailles, a grand China trip, and his many television appearances. I enjoyed the scenes featuring him and his troupe of beautiful models, the Halstonettes. So campy. The talking head interviews are also well placed. I especially liked hearing from Liza Minelli, model Pat Cleveland, and Halston’s niece Lesley Frowick. You can tell that they all loved him deeply. At one point Liza refuses to speak negatively of her friend or dish any dirt. And that’s the last you see of her.

      Even with a few flaws, Halston works as an homage to a brilliant designer. He may have made some missteps, but he will be remembered as someone who shaped the fashion world and the American culture.  

      And now, just because, here’s Sister Sledge’s “He’s the Greatest Dancer”, which gives Halston a shout out…

      Share this:

      • Click to share on X (Opens in new window) X
      • Click to share on Facebook (Opens in new window) Facebook
      Like Loading...
      Posted in Movies | 0 Comments | Tagged 70s, 80s, Documentary, Fashion, Movies
    • Amazing Grace…Review

      Posted at 10:59 pm by Geoff, on June 3, 2019

      Going to church has never been my thing. When I was a kid, I would use any excuse to get out of going. Right down to the “put the thermometer on the light bulb to fake a fever” trick. Church didn’t interest me. All that preaching, testifying, and bible verse reading. I thought it was extremely boring. Except for one thing: the music. Once the organ started playing and the choir stood up to sing, I perked up. That was the good stuff. The songs that made me want to clap along. I wouldn’t really sing though. I mainly wanted to listen to the pros do it. People like Aretha Franklin. No, I never actually got to hear Aretha sing live. She wasn’t visiting my church anytime soon. But with the new movie, Amazing Grace, I get pretty close to attending a service featuring the Queen of Soul.

      In 1972, director Sydney Pollack captured the live recording of Aretha’s gospel album, Amazing Grace, as she performed at the New Missionary Baptist Church in LA. It would go on to become the best-selling gospel album of all time. The film didn’t fare so well. Due to technical problems, it was never released. Even after these issues were resolved, decades later, Aretha blocked the film from coming out. But, after her death, her family finally gave their blessing.

      I’m grateful that this film was able to be salvaged. You are getting peak Aretha here. Her voice fills the auditorium wrapping itself around you. Over two nights she sings a collection of standard hymns like, “Mary Don’t You Weep”, “How I Got Over”, and my favorite here, “Wholy Holy”. There’s also an interesting mashup of “Precious Lord, Take My Hand” and Carol King’s ballad “You’ve Got a Friend”. Surprisingly, the songs blend perfectly together. The greatest moment is the finale with “Never Grow Old”. Aretha works the entire room into a frenzy. At one point, she’s so overcome with emotion that she has to sit down. But she gathers herself and is able to deliver a final wail, much to the delight of the crowd. And the viewers. It’s truly wondersome.

      Even after remastering the film it’s still not that polished. At times the camera is out of focus. Or you can see crew members in a shot. At one point, the camera is shaking as if the person holding it was dancing along to the music. Perhaps he got caught up in the moment. I actually like that this isn’t a slick production. It feels more real and raw. And New Mission isn’t very fancy either. This a simple place where people gather for worship and fellowship. Before “mega church” became the norm. I also enjoyed the crowd reactions. These aren’t paid extras. You can tell they’re feeling Aretha and the spirit as if they’re not being filmed. A few times you catch Mick Jagger making a cameo in the pews. But he’s really just another parishioner moving to the beat.

      The thing I appreciate most about this film is that it’s focused on Aretha and the music. Yes, it’s set in a church and she’s signing about Jesus, but you don’t have to be a believer in any particular religion to enjoy it. For some the message and the word of God is important. For others, not so much. But all can agree that they are moved by Aretha’s voice. This speaks to the power of music to bring all walks of people together. And the greatness of the Queen who delivers it.

      Share this:

      • Click to share on X (Opens in new window) X
      • Click to share on Facebook (Opens in new window) Facebook
      Like Loading...
      Posted in Movies | 0 Comments | Tagged 70s, Documentary, Movies, Music, Reviews
    • Recent Posts

      • Halloween II…40th Anniversary
      • Happy Birthday…Winona Ryder
      • Happy Birthday…John Mellencamp
      • Glitter Album…20th Anniversary
      • Happy Birthday…Fannie Flagg
    • Categories

      • Movies (54)
      • Music (33)
      • TV (26)
      • Birthday (21)
      • Anniversary (5)
      • Me (4)
      • RIP (4)
      • Theatre (2)
      • Books (1)

Blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • NostalGeoff
    • Join 28 other subscribers
    • Already have a WordPress.com account? Log in now.
    • NostalGeoff
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d