NostalGeoff

Writing about the past in the present…
NostalGeoff
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    • The Lighthouse…Review

      Posted at 10:57 pm by Geoff, on October 21, 2019

      There is a lot of WTF in The Lighthouse. Or should that be WTF’ery? In any case, I left the theatre wondering what exactly I had just seen, which isn’t necessarily a bad thing.

      The story, set in the 1890s, begins with a simple premise. Ephraim Wilson (Robert Pattinson) takes a job, on a desolate island, as an assistant to a veteran lighthouse keeper, Thomas Wake (Willem Dafoe). It’s rough work with Wake ordering his employee around, admonishing him for every little thing. At one point, Wilson complains that he feels more like a slave. Plus, he’s bitter that Wake won’t let him up to the light, keeping that level of the house locked up. At night, Wilson sees his boss, stripped naked, basking in the glow, which really makes you wonder what’s up there. After four weeks, the men are supposed to get off the island, but the ferry never comes and the storm picks up. They’re stranded in it. Huge amounts of hard drinking, seagull attacks, hallucinations, possible mermaid interactions, and angry masturbation ensues. It’s a hodgepodge of crazy.

      At times I wondered if co-writer/director Robert Eggers was throwing in weird stuff just for the sake of being weird. As if that would add depth to the film. For me, the less insane moments were actually more meaningful. Just seeing Wilson and Wake exist in such close quarters. It’s interesting to see these two characters, trapped together, with no choice but to reveal themselves to one another. Over drunken conversations they begin to peel back the layers, sharing truths. It’s melancholy at times and pretty funny in other instances.  Pattinson and Dafoe are evenly matched and share a great cantankerous chemistry. You don’t know what their characters will do to one another, which can be very suspenseful. Dafoe definitely deserves a nomination for his performance.

      The film itself is shot beautifully in black & white. It looks like a great old movie you’d see on TCM with its cinematography. Eggers creates an ominous dark mood with his claustrophobic direction, use of light, and sound. You feel like you’re on that island with these men, living in the same harsh conditions.

      Getting back to the WTF factor, yes, I could have used less of it and a more straightforward storyline. But at the same time, it did add to the overall experience of the film. And I was typically entertained even if that came with confusion.

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      Posted in Movies | 0 Comments | Tagged 1800s, Movies, Reviews
    • Downton Abbey…Review

      Posted at 10:52 pm by Geoff, on September 26, 2019

      I completely avoided Downton Abbey during its initial run on PBS, assuming it was just another boring period piece. But recently, I got curious and took a peek. One episode lead to all six seasons and now I’m a fan. Just in time for the film adaptation that came out this month.

      For those not in the know, Downton tells the story of the well-to-do Crawley family living in a lavish estate in early 20th century Yorkshire, England. There’s patriarch Robert Crawley, Earl of Grantham; his wife Cora, Countess of Grantham; their daughters, Lady Mary and Lady Edith; son-in-law, Tom; Violet, Dowager Countess of Grantham; and Cousin Eleanor. The downstairs staff at the estate is also featured. Butler Thomas Barrow; head housekeeper Mrs. Hughes; the cook, Mrs. Patmore; her assistant, Daisy; former butler and Mrs. Hughes’ husband, Carson; Anna, the ladies’ maid and her husband John, the valet; Cora’s maid, Baxter; nutty sometimes-footman, Molesley; and footman, Andy.

      Over the course of the series, the denizens of Downton, ran through several storylines. Romance, betrayal, adventure, and tragedy to name a few. Show creator, Julian Fellowes, manages to craft a captivating story for the film that picks up where the series left off. The King and Queen of England are coming to Downton for a visit, throwing the entire household into a tizzy as they get ready for the grand arrival. When the royal staff appears, with the intention of pushing the Downton servants out of the way, the drama (and hijinks) really kick in.

      Fellowes and director Michael Engler continue with the familiar, while driving things up a notch. The world becomes a bit bigger and cinematic. An assassination attempt, a mysterious heir, and an underground gay night club are added to the mix. But at the heart of it are these characters that the fans love. Each gets a chance to shine over the course of the 2hour film. I was particularly happy that gay villain turned fan-favorite, Thomas, was able to take a small step out of the closet. Widower Tom had a chance for a new beginning, as well. Plus, there were more witty zingers from the Dowager Countess. You can’t have too much of Dame Maggie Smith.

      I enjoyed spending a little more time in Downton with this new adaptation. And I’m quite glad I finally took a chance on a “stuffy” Masterpiece Theatre series.

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      Posted in Movies | 0 Comments | Tagged 20s, Movies, Reviews
    • Hustlers…Review

      Posted at 7:50 pm by Geoff, on September 17, 2019

      The setup for Hustlers isn’t anything new. This is The Big Short meets Goodfellas meets Robin Hood meets Showgirls. But despite the lack of a fresh concept, it’s still an entertaining movie.

      The story, based on a New York magazine article, follows newbie stripper Destiny (Constance Wu) at a NYC club circa 2007. She stumbles until she meets Ramona (Jennifer Lopez), the seasoned star of the club. The pro takes Destiny under her wing, teaching her how to dance and seduce the customers (without actually giving anything away). The money pours in until the stock market crashes in 2008. Everyone loses and has to start over. Cut to 2011, where a struggling Destiny, who quit dancing after becoming pregnant, reunites with Ramona. This time her mentor has a new lesson: luring, drugging, and stealing from rich Wall Street guys. It doesn’t take long before the two friends have a ring of girls scamming their way through Manhattan. Once again, the (illegal) money flows, until the shit hits the fan.

      The standout in the movie is Wu. She works to make us sympathize and root for Destiny, even when she’s doing horrible things. There has been Oscar talk about JLo’s performance and I have no clue where that’s coming from. It’s not that she isn’t good. But let’s not get crazy. This is maybe a Golden Globes nominated performance. Maybe.

      Director/screenwriter Lorene Scafaria injects a good deal of heart and humor amongst the flash and crime. And so many slow-motion sequences. Bonus points for costume designer Mitchell Travers’ creations. He does an incredible job of capturing the fashion of the 2000s. It’s all appropriately tacky. UGG boots and velour Juicy Couture sweat suits for everyone! The little bit of material used to barely cover JLo’s body is also impressive.

      At one point, Julia Stiles’ reporter character, who has been interviewing Destiny, mentions that she doesn’t feel bad for the men that were victimized. I think a lot of audience members feel the same way. It’s not so bad when rich douchebags take a fall. It also makes for a fun time at the movies.

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      Posted in Movies | 0 Comments | Tagged 2000s, Movies, Reviews
    • Blinded by the Light…Review

      Posted at 10:47 pm by Geoff, on August 26, 2019

      Gurinder Chadha’s Blinded by the Light is a coming of age movie set to the music of “The Boss”. The story follows Javed (Viveik Kara), a Pakistani teenager living in the small bleak town of Luton in 1987. Things aren’t going well for him. His father Malik (Kulvinder Ghir) has been laid off from his factory job, his mother Noor (Meer Ganatra) works all hours to scrape up a little money to support the family, and members of a hate group attempt to force minorities, like Javed’s family, out of town. He finds escape through writing poetry, something his strict father disapproves of. Malik would rather have a son with practical aspirations.

      Things take a turn for the better when Javed meets fellow classmate, Roops (Aaron Phagura), who introduces him to Bruce Springsteen’s music. The moment he pops in the cassette tape, his world suddenly opens up. He instantly relates to the lyrics. Springsteen sings about getting out of a dead-end town and following your dreams. His words embolden Javed to work on his poetry, stand up to his father, and even go after the girl (Nell Williams) he has a crush on. So much of the film rests on Kara’s shoulders and he doesn’t falter. He shows Javed’s growth as he comes into his own. It’s a fantastic performance, especially considering this is his first starring role.

      What I enjoyed most about this film was the powerful effect that music had on Javed’s life. He’s inspired to reach further because his hero’s songs urge him to do so. But in the end, he discovers that he was always talented and capable. Springsteen’s words didn’t give him a voice, they merely helped him to find it. Amongst the teenage angst and discovery, Chadha expertly weaves in the theme of the importance of family. Ultimately, Javed is able to build a bridge between his evolved identity and his loved ones. It’s a heartwarming story that might have made me tear up a bit…maybe more than a bit.

      **Sidenote**

      I always thought “Dancing in the Dark” was a simple pop song that Courtney Cox danced to on MTV. Turns out there’s more to it. Having the lyrics projected on screen in Blinded gave me a better appreciation for Springsteen’s writing. I’ll definitely be buying a record or two of his.

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      Posted in Movies | 2 Comments | Tagged 80s, Movies, Music, Reviews
    • The Kitchen…Review

      Posted at 8:44 pm by Geoff, on August 14, 2019

      I went into The Kitchen with low expectations. Seriously low. The reviews online had not been kind, but I figured I’d give it a shot anyways. It turns out the critics were wrong. At least in my opinion.

      In 1978, three gangsters in NYC’s Hell’s Kitchen get busted and sentenced to three years in prison. Their wives are left behind to navigate the gritty Irish neighborhood alone. Kathy (Melissa McCarthy) is the heart of the group. Mother of two, sweet, and friends with everyone in the community. Ruby (Tiffany Haddish), a black woman, has basically been iced out by her white in-laws. Especially her nasty mother-in-law (Margo Martindale). Claire (Elizabeth Moss) is actually thankful for her husband’s sentence because he has been abusing her for years. The women are given little financial assistance and can’t get real jobs. So, they decide to go into the business, seeing a chance to outmaneuver the head of the mob and usurp his territory. The money flows in along with the problems. Murder, backstabbing, and twists come flying fast.

      The theme of women’s empowerment runs through the film. It was written and directed by a woman (Andrea Berloff) and has three formidable female characters. For years Kathy, Ruby, and Claire depended on men to take care of them. But when their safety net is taken away, they discover they can do a better job of running things. It’s not that they don’t need men. They come to rely on a few tough guys, especially brutal executor-turned boyfriend, Gabriel (Domhnall Gleeson). But they needed the men to get out of their way so they could stand on their own. As their husbands’ equals. The tenacity was inside them all along. They just needed the opportunity.

      Berloff and her cast successfully capture the evolution of these former mob wives in a changing landscape. Yes, there are some weak plot points in the script.  And certain characters could have been fleshed out more. But in the end, I walked out of the theatre feeling more entertained than I would have thought going in. Sometimes you have to ignore movie reviews. Just, not mine.

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      Posted in Movies | 0 Comments | Tagged 70s, Movies, Reviews
    • Little Fires Everywhere…Review

      Posted at 5:43 pm by Geoff, on August 7, 2019

      I’m late to the party, since it came out in 2017, but I recently finished reading Little Fires Everywhere. It was an impulse buy at the airport newsstand, but it turned out to be the right decision. It took me through two plane rides and a long beach day. A sign of a good vacation read.

      Celeste Ng’s novel, set in the late 1990s (a favorite time period of mine), focuses on two families in the idyllic community of Shaker Heights, Ohio. Elena is the head of the wealthy Richardsons, which includes her lawyer husband Bill, outgoing older kids Lexie and Trip, aptly named son Moody, and rebellious daughter Izzy. Their lives are shaken up by the arrival of Mia Warren and her teenage daughter. Mia normally lives a nomadic life, shuttling shy (yet blossoming) Pearl across the country. But they decide to settle in Shaker Heights and into the Richardson’s rental home.

      The story follows the families as their lives become intertwined. New relationships form and several lives are changed. Elena and Mia represent the main source of conflict. Mrs. Richardson is the definition of type A, steamrolling anyone and anything that doesn’t fit into her perfect world. While Mia is more earthy and free. She has no use for Elena’s rules. They cannot, or choose not to, understand each other. Along with this drama, a custody battle ignites between an adopting couple and the birth mother of a Chinese-American baby. It causes a divide among the residents of the town, especially between the Richardson and Warren matriarchs.

      I thoroughly enjoyed this book. Ng creates a complex world in this supposedly Utopian town. There’s so much going on below the surface. Characters that could be one note are given multiple layers and intricacies that make them much more interesting. And, I was eager to find out where they ended up by the last page. The book is set to become a limited series on Hulu, starring Reese Witherspoon and Kerry Washington. Great casting, by the way. I look forward to seeing how the adaptation compares to the original source and if the series finds even more depths in Ng’s work.

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      Posted in Books | 0 Comments | Tagged 90s, Books, Reviews
    • Once Upon a Time in Hollywood…Review

      Posted at 2:48 pm by Geoff, on August 4, 2019

      Quentin Tarantino’s Once Upon A Time in Hollywood takes you on a winding ride back to 1969. Along the way you meet actor Rick Dalton (Leonardo DiCaprio) and Cliff Booth (Brad Pitt), his best friend/stunt double. Rick was once a popular star, but his career has declined significantly. This doesn’t have the best effect on Cliff’s job prospects, but he takes it in stride. The film also focuses on Sharon Tate (Margot Robbie). You see her interacting with her husband and friends. The beginnings of a young actress’ life. Other characters are interwoven into the story, with stars like Kurt Russell, Al Pacino, and Bruce Dern making appearances.

      Aside from some story points, there isn’t a lot of plot here. In fact [*spoiler alert*] it isn’t until the last 30 minutes where Tarantino really hits you in the face with some major development. Like, some really gruesome, yet hilarious, development.

      The crux of the movie is following these characters around for a few days. DiCaprio does a fantastic job portraying a washed-up star desperately clinging to his past fame. Pitt is great as an easy-going, fun guy who’s happy just to be living in Hollywood. And Robbie brightens the film with her sunny effervescent portrayal of Sharon.

      Speaking of, Sharon will always be associated with Charles Manson and his “family”. But I’m glad that we see very little of the cult leader. Just one scene, actually. Yes, there is a lot of time spent on his followers, including a particularly tense sequence with Cliff. But this isn’t a movie about them thankfully. There was more to Sharon than her death and I’m happy that Tarantino shows that.

      The director also showcases the beauty and grittiness of Hollywood in the late 60s. Seeing the town transformed into its former self is a huge draw for the film. All that neon. And the music choices are spot on, adding to the experience. The one con is the length of the film. 2 hours and 45 minutes is a stretch, especially since it meanders quite a bit. It comes off as indulgent. But this is a movie worth seeing if you want to flashback to an iconic period in Hollywood history.

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      Posted in Movies | 0 Comments | Tagged 60s, Movies, Reviews
    • Burn/This…Revival/Review

      Posted at 2:41 pm by Geoff, on August 4, 2019

      Burn/This is a simple, yet powerful, play. Set in 1980s New York, it begins with the death of Robbie, a young dancer. He leaves behind his friend/roommate/dance partner, Anna (Keri Russell). There’s his other roommate Larry (Brandon Uranowitz), a gay advertising exec. And Anna’s screenwriter boyfriend, Burton (David Furr). The three are still dealing with Robbie’s death when Pale (Adam Driver), his brother, comes crashing into their lives. Things get flipped upside down with his arrival. He comes between Anna and Burton, while seeping into Larry’s life as well. Over the course of a year, the play deals with these complicated relationships, grief, and identity.

      Driver’s Pale is hilarious and tragic at the same time. He doesn’t know what to do with his pain, so he vomits it all over the stage. His character says some fucked up things and you want to hate him. But then he makes you laugh again and you feel for him. At times, Driver chews the scenery, but he reels it in and makes Pale more of a person and less of a caricature.

      Russell has a much quieter character. But Anna doesn’t fall into Pale’s shadow. She is able to go toe-to-toe with him. The story is just as much about her evolution, as she attempts to figure out who she is personally and professionally. And Russell brings out all of Anna’s layers and emotions beautifully.

      There are also great performances from the two supporting actors. Larry is often the comic relief in the play, but Uranowitz brings a great deal of heart and depth to the character as well. Similarly, Burton could easily be categorized as a douchey yuppie. But, Furr makes him three dimensional and not just another cliché.

      Lanford Wilson’s script is extraordinary and holds up years later in this revival. Plus, director Michael Mayer brings new life to it with his staging. I also have to point out the amazing set design. The stage is transformed into an authentic NYC loft, complete with balcony. The windows, alone, had me.

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      Posted in Theatre | 0 Comments | Tagged Reviews, Revival, Theatre
    • Making Montgomery Clift…Review

      Posted at 12:11 am by Geoff, on July 3, 2019

      The documentary Making Montgomery Clift aims to paint a more accurate picture of the classic Hollywood actor. I feel like most people only know a few facts about him. And some of those facts are quite shaky. But if you don’t want to dig deeper about a subject, you tend to go with the basic things out there. Co-directors Robert A. Clift and Hillary Demmon set out to fill in the details that previous movies, books, or TV specials left out. Robert, Montgomery’s nephew, is especially invested in correcting the stories that have been told about his uncle over the years.

      The biggest misconception that the film sets out to dispel is that Montgomery was a tragic figure. Supposedly he was a self-hating homosexual who was slowing killing himself with heavy drinking and pills. The film doesn’t try to skip over his vices, but it’s clear that he didn’t have a death wish either. He seemed to have enjoyed his life. In terms of his sexuality, he was open as one could be at that time about being into men. His friend Jack Larson speaks of how Montgomery was affectionate with him, going so far as to kiss him in a restaurant. He refused to play the game, like other gay actors in that period, by getting married to a woman. In addition, many interviewees in the film talk about his light-hearted jovial spirit. Definitely not the walking tragedy he was reported to be.

      A lot of attention was paid to Montgomery’s appearance. He was an exceptionally beautiful man and his talent often gets overshadowed by his looks. The documentary goes into detail about how serious he was about acting. He was very choosy about which movies he made turning down many prominent roles, like the lead in Sunset Boulevard. Montgomery also refused to sign a contract with a studio. He wanted to be a free agent and avoid being controlled by the system. In the middle of his career, he was involved in a horrific car accident that altered his appearance dramatically. It was alleged that this contributed to his downward spiral. But a talking head in the film says Montgomery actually preferred how he looked after the accident. The focus wasn’t on his looks anymore and he could become more of a character actor.

      The one flaw in this valuable history lesson of a film is the focus on Montgomery’s brother William Brooks Clift Jr. Like his son, Robert, William was invested in correcting the false information that had been put out about his brother. He was a bit obsessed with his brother’s career actually. William horded pictures, home movies, newspaper clippings, and audio recordings featuring Montgomery. The film devotes a lot of time to this obsession. It makes sense that Robert would want to mention his father. He certainly influenced the movie. But so much detail slows down the narrative and the focus is taken away from Montgomery. It all could have been trimmed down more.

      I felt like I walked out of Making with a better understanding of who Montgomery was as a person. And, it definitely made me side-eye previous reports about him. In a voice-over, Robert speaks of wanting to give back the dignity that past tabloid tales took away from his uncle. I think he definitely achieves his goal with this film.

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      Posted in Movies | 0 Comments | Tagged 50s, 60s, Documentary, Movies, Reviews
    • Rocketman…Review

      Posted at 11:06 pm by Geoff, on June 16, 2019

      After the success of Bohemian Rhapsody, a second movie about a flamboyant larger than life rockstar in the 70s and 80s might fall in the shadow of what came before it. But I think it’s unfair to lump Rocketman in with that other film. Especially because this movie is ten times better than Bohemian Rhapsody. Like, glaringly better. But let’s move on.

      Rocketman focuses on the personal life and career of Elton John (Taron Egerton). He grows up in working class England in a very unhappy home. His father is never around and when he is, he’s cold and distant. His mother (Bryce Dallas Howard) isn’t much better. She thinks of her son as a burden she must carry. Young Elton escapes his harsh reality through music. He’s a piano prodigy, perfectly imitating any piece he hears. He pursues a career in music as he matures, playing in a band and backing other artists. Elton’s life changes dramatically when he meets Bernie Taupin (Jamie Bell). Bernie has the lyrics to match up with Elton’s music. It’s a perfect partnership. Fame, fortune, and amazing songs soon follow. And just as quickly comes the spiral, with alcohol and drugs.

      Even though Rocketman is considered a biopic it’s really more than that. Much more fantastical, for sure. Elton and other characters break into song and dance numbers all over the place. And his music is used to establish the mood and further the plot of the movie. It feels like an existing Broadway musical that was adapted for the screen. I was already a big fan of his songs, but it was interesting to see them staged and performed in new way here. “Tiny Dancer”, “Amoreena”, “Pinball Wizard”, and “Goodbye Yellow Brick Road” are standouts. Director Dexter Fletcher creates a fun, exciting spectacle for the viewer. The whirlwind of Elton’s life is captured beautifully through his lens. And hats off (no pun here) to the fabulous costumes designed by Julian Day. So many sequins!

      I also enjoyed the fact that this was an R-rated movie. Elton recently said, “I haven’t led a PG-13 life”. So, his movie shouldn’t shy away from those elements. You get to see him exploring his sexuality, complete with gay sex scenes. There’s also the heavy drug use. Sometimes a bit too heavy. His downward spiral felt like it went on for far too long. But that was the truth of his experience.

      The heart of the film is Egerton. He’s in almost every scene, carrying it all on his back. He doesn’t just slap on a wig and do an imitation of Elton. He offers up his own interpretation of the icon. It’s a strong performance. Huge points for actually using his own singing voice and not lip synching…unlike other actors in recent biopics. Bell and Howard also shine in their roles. Howard has a particularly tough job of making a heartless woman seem human.

      I walked out of the theatre with a renewed appreciation for Elton and the path he took to get to where he is now. It’s an inspiring story of highs, lows, self-acceptance, and perseverance. With a fantastic soundtrack to accompany it.

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      Posted in Movies | 0 Comments | Tagged 70s, 80s, Biopic, Movies, Musical, Reviews
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