NostalGeoff

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NostalGeoff
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    • AHS 1984 Recap…Episode 100

      Posted at 8:14 am by Geoff, on October 24, 2019

      This week’s show was the 100th episode of AHS. It’s interesting to see how this series has evolved over the years. My favorite season was Asylum. Jessica Lange plays a great mean singing nun. The jury is still out on where 1984 will rate on the list, but this episode was pretty good at least.   

      Videoshack

      We’re in 1985…wait that’s not the show I signed up for. Anyways, Nightstalker and Jingles are still hanging out and killing people. Well, just Nightstalker. Jingles is sick of him and his murderous ways. When he gets a chance, he tips off a community to his psycho travel companion. They catch Nightstalker and beat the crap out of him as Jingles rides off into the sunset. Cut to 1989 and Jingles has moved to Juno, Alaska to start over. He has a wife, kid, and a job at a video store. Sounds like a nice quaint life. He’s gotten over what happened at Redwood and has finally found happiness. Since this is AHS, his good fortune is short-lived. Nightstalker finds him (I’m sure Satan helped) and kills his wife. A devastated Jingles leaves his son in the care of his wife’s sister and heads back to Redwood to take on his old enemy.

      Lifestyles of the Rich and Famous

      In 1989, Margaret has made a fortune off of buying properties associated with serial killers and turning them into tourist traps. They mention Briarcliff, a nod to Asylum. Oh, and Trevor is her husband. No, he’s not another ghost. It turns out he survived Margaret stabbing him. When he woke up from his coma, he blackmailed her into being his sugar mama. She did him one better and married him, so he couldn’t testify against her. Four years later and he’s sick of her. Join the club. The only bright spot is Leslie Jordan playing her assistant. I love his brand of kookiness.

      Back to camp

      Years after being killed, Montana, Xavier, and Ray are still stuck in Camp Purgatory. They’re joined by the ghosts of the counselors from the 1970 massacre. Purgatory is crowded. Xavier and Montana enjoy killing hapless campers who stumble upon Redwood. Ray normally cleans up after them, but finally gets fed up after they butcher two new people. The bodies are discovered, bringing media attention to the camp. Margaret seizes on the opportunity and decides to have a musical festival at the camp. Like a bloody Coachella. While giving a press conference, Chet (forgot about him) and Montana watch from the bushes. They’re itching to take down Margret. Again, join the club.

      On death row

      Brooke has the worst luck in the 1989 flashforward. She’s been sentenced to death for the camp massacre and is set to be executed at San Quentin. On death row, she encounters Nightstalker who tries to get her to come to the dark side. He says Satan will save her. She tells him to fuckoff. Nice. On the day of her execution, Margaret and Trevor are in the gallery watching. Brooke correctly assumes Margaret is there and tells her that she’ll burn in hell for what she did. Fingers crossed. Meanwhile, thru the power of Satan, Nightstalker possess a guard and breaks out. And head to Juno. Back in the execution chamber, Brooke is given a lethal injection and pronounced dead. Or so we think. Her body is wheeled off to the morgue by the executioner and she’s given a drug to revive her. The injection must of have just been a sedative. And it turns out the executioner is Donna/Rita. Surprise, bitch!

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      Posted in TV | 0 Comments | Tagged 80s, Recap, TV
    • The Lighthouse…Review

      Posted at 10:57 pm by Geoff, on October 21, 2019

      There is a lot of WTF in The Lighthouse. Or should that be WTF’ery? In any case, I left the theatre wondering what exactly I had just seen, which isn’t necessarily a bad thing.

      The story, set in the 1890s, begins with a simple premise. Ephraim Wilson (Robert Pattinson) takes a job, on a desolate island, as an assistant to a veteran lighthouse keeper, Thomas Wake (Willem Dafoe). It’s rough work with Wake ordering his employee around, admonishing him for every little thing. At one point, Wilson complains that he feels more like a slave. Plus, he’s bitter that Wake won’t let him up to the light, keeping that level of the house locked up. At night, Wilson sees his boss, stripped naked, basking in the glow, which really makes you wonder what’s up there. After four weeks, the men are supposed to get off the island, but the ferry never comes and the storm picks up. They’re stranded in it. Huge amounts of hard drinking, seagull attacks, hallucinations, possible mermaid interactions, and angry masturbation ensues. It’s a hodgepodge of crazy.

      At times I wondered if co-writer/director Robert Eggers was throwing in weird stuff just for the sake of being weird. As if that would add depth to the film. For me, the less insane moments were actually more meaningful. Just seeing Wilson and Wake exist in such close quarters. It’s interesting to see these two characters, trapped together, with no choice but to reveal themselves to one another. Over drunken conversations they begin to peel back the layers, sharing truths. It’s melancholy at times and pretty funny in other instances.  Pattinson and Dafoe are evenly matched and share a great cantankerous chemistry. You don’t know what their characters will do to one another, which can be very suspenseful. Dafoe definitely deserves a nomination for his performance.

      The film itself is shot beautifully in black & white. It looks like a great old movie you’d see on TCM with its cinematography. Eggers creates an ominous dark mood with his claustrophobic direction, use of light, and sound. You feel like you’re on that island with these men, living in the same harsh conditions.

      Getting back to the WTF factor, yes, I could have used less of it and a more straightforward storyline. But at the same time, it did add to the overall experience of the film. And I was typically entertained even if that came with confusion.

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      Posted in Movies | 0 Comments | Tagged 1800s, Movies, Reviews
    • AHS 1984 Recap…Red Dawn

      Posted at 8:07 am by Geoff, on October 17, 2019

      Things got whacky this week at camp. Revelations, confessions, and sexual situations. And, of course, stabbings.

      Papa was a serial killer

      We get a Donna flashback at the top of the show. Back in 1980, she discovered that her father was a psychotic killer who butchered women. There’s too much disembowelment on this show. She begged him to stop. but he killed himself instead. This led her to studying serial killers. Daddy issues. Back in the present, freshly reborn Richard explains to Donna that Satan brought him back to life. I was right! Again! He also tells her that she has the same darkness inside that her father possessed. A vision of her father pops up to confirm this. Donna refuses to believe it. Fight the evil, girl.

      Ghost Sex

      Xavier is still losing his shit about not escaping Redwood, so Margaret knocks him out. The group takes him back to a cabin to hide out. Margaret claims she saw a couple of campers across the lake. She convinces Chet take a canoe ride over there with her and look for help. Of course, it’s a lie. She beats the crap out of him, cuts off his ear, and tosses him overboard. That crazy bitch. Meanwhile, Brooke spots Ray wandering around outside. What? Didn’t he get his head chopped off last week? She runs outside and catches up with him. He’s disoriented and doesn’t remember what happened to him. They hear Jingles coming and seek shelter in the dining hall. After having a nice heart-to-heart talk Brooke and Ray decide to hookup since they probably won’t make it through the night. Solid reasoning. Later, Brooke reveals that Ray was her first. Then the no-longer-virginal-maybe-final girl finds Ray’s severed head in the dining hall fridge. Oh, that’s where that went. She freaks out and runs off. Eh, I would have taken my chances with the ghost who just popped my cherry rather than go outside.

      I’ll never be on the cover of TV Guide!

      Donna runs into the cabin, finding Montana and Xavier. She confesses that she helped Jingles escape. Xavier blames her for his oven-roasted face and tries to kill her. She runs, he follows. While hiding, Donna encounters Jingles who tells her that Margaret is the real killer. He never took any lives, outside of his Vietnam War days, until tonight. Donna feels guilty and wants Jingles to kill her, but he denies her request. He only wants to take out Margaret. He finds her at the archery area and nearly succeeds. Too bad Xavier decides to play hero and shoot Jingles full of arrows, killing him. Margaret thanks Xavier by gutting hm. After she leaves, Ramirez appears. Jingles comes back to life and the Night Stalker asks him if he’s ready to accept Satan as his savior. I’m thinking he’ll say yes to the Devil.

      Sunrise

      Montana tells Brooke that her psycho fiancée was her brother. And then she tries to strangle her. Brooke can’t catch a break. Running and catfighting ensue. Brooke manages to get the best of Montana and stabs the hell out of her, just as the bus with the little campers pulls up. Oh, hey, kids. Cut to the cops and EMTs showing up at camp. Brooke is hauled off in handcuffs. Margaret pops up, after stabbing herself, and claims that Brooke attacked everyone. I’m so sick of her. An EMT attempts to help Ray. He’s put in an ambulance and taken away. But then we see him back at camp. He can’t leave. The ghost hiker shows up and tells Ray this is home now. At the same time, ghost Montana pops up and shoots one of the cops. She has no qualms about killing people now that she’s dead. Oh, and it seems Camp Redwood is purgatory and they’re all stuck here. Fun. Meanwhile, Richard and Jingles have stolen a cop car and are able to ride out of camp. Like a batshit crazy murderous Thelma and Louise. I wonder how they’re able to leave Redwood.

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      Posted in TV | 0 Comments | Tagged 80s, Recap, TV
    • AHS 1984 Recap…True Killers

      Posted at 8:17 am by Geoff, on October 10, 2019

      This episode was a mixed bag of good, bad, and gross. Typical.

      I was right!

      Last week I threw out a theory that Montana was Brooke’s former fiancée’s sister. And it turned out to be true! Not so random after all. We find out that Montana met Richard Ramirez while she was teaching a Midnight Manrobics (an actual thing) class. He revealed his crazy colors when he killed a class member who disagreed with Montana’s music choice. Don’t mess with Billy Idol. She enlisted Ramirez in killing Brooke, in order to avenge her brother. Unfortunately for them, Brooke kept evading death. Dumb luck.

      That’s disgusting

      Xavier arrives at the dining hall to warn Chef Bertie about Jingles. Unfortunately, the camp killer shows up before they can escape. Xavier hides while a calm, yet freaked out, Bertie engages Jingles. She even makes his favorite PBJ sandwich, just like when they were coworkers at the camp. Stupid Xavier makes a noise and is discovered by Jingles. Bertie tries to help and is beaten down with a mallet. Then Jingles tosses Xavier in the oven and locks him in. We have to watch him melt under the heat and it’s as gross as it sounds. Luckily, Bertie is able to get him out. But, she’s near death from Jingles’ beating. She makes Xavier stab her in the heart to end her suffering. Poor Bertie. Xavier is horrified when he sees his reflection. That oven did a number on him. Later, when he runs into Jingles he hopes for death, but the killer spares him. I don’t know if that’s a good or bad thing.

      The real killer

      The truth about Jingles came out when he comes after Margaret. She fills him in on what actually happened back in 1970. It turns out, she tried to get Jingles to murder the other counselors who were bullying her. What’s with these women asking for murderous favors. When Jingles didn’t come thru, psycho Margaret took matters into her own hands and went on a gleeful killing spree. Then she framed Jingles for the crimes. He proclaimed his innocence, but was hauled off to the asylum anyways. Then he was given electroshock therapy that wiped his memory. So, when everyone told him he killed half the camp, he believed them. Back in the present, Jingles is floored by this revelation. When he tries to kill Margaret (again) she shoots him three times. She assumes he’s dead, but then he disappears when her back is turned. Doesn’t anyone check for a pulse? Later, Trevor shows up and Margaret stabs him to death. She intends to frame Jingles again. She tosses Trevor’s body in a car (the last working vehicle and way out of this hell hole) and lights it on fire. She claims God has given her the power to accept her true killer self. I knew this bitch was crazy, but I didn’t realize how crazy.

      Caught between two killers

      After escaping the shack where Donna was keeping her captive, Brooke falls into a trap set by the nutty psychologist. Donna explains how she broke Jingles out of the asylum so she could study him and now Brooke is her lab rat. Donna hides and waits for the killer to arrive. But Ramirez (tipped off by Montana) shows up instead. Before he can kill Brooke, Jingles arrives. It’s a serial killer showdown. Almost as entertaining as Freddy vs. Jason. Jingles triumphs when he impales Ramirez on a tree branch, headfirst. Eww. Meanwhile, Montana discovers Donna and they get into a Dynasty-style catfight. It would have been better in a lily pond. Montana knocks the psychologist out and takes off. Donna wakes up in time see Richard being magically resurrected. I’m guessing this is Satan’s work. After this week’s reveals, it doesn’t sound so farfetched.

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      Posted in TV | 0 Comments | Tagged 80s, Recap, TV
    • Why Halloween 5 sucks…30th Anniversary

      Posted at 6:29 pm by Geoff, on October 4, 2019

      The Halloween movie series is one of my favorites in the horror genre. I always found Michael Meyers’ murderous rampages in Haddonfield to be pretty scary. The first two movies are the best. The third takes a weird, yet interesting turn. Part four brings back Michael while giving the series some new blood. But then you get to Halloween 5 and things start to go off the rails. Granted it’s not as bad as 6 or 8. And don’t even get me started on the horrific (not in a good way) Rob Zombie remakes. But 5 is still plain bad. For its 30th anniversary let’s get into why it sucks.

      Michael’s back…again

      The series could have stopped at part 4. Michael was presumed dead and his young niece, Jamie (Danielle Harris), had seemingly taken his place at the end when she stabs her mother. It was a full circle moment, calling back to the opening of the original Halloween. But this addition was very successful and another sequel sprang up. We discover that after being shot multiple times and falling down a mine shaft, Michael survives and crawls into the river undetected. Then he stumbles upon an old hermit in a shack and passes out. For a year. He was sleepy. So, we’re to believe the hermit, with limited means, somehow nursed Michael back to health and he woke up stronger than ever? Alright.

      Jamie is suddenly psychic

      Somehow Jamie develops a psychic link with Michael. When he awakens after his long nap, she feels it. When he kills somebody, she knows it and freaks out. But she’s also a mute now so she can’t really tell anyone what’s going on with her not-so-dead uncle. This leads to a lot of grunting and spazzing out throughout the film. It’s eye rolling. Jamie and Michael don’t need to be psychic friends.

      Rachel gets killed early

      Technically Jamie is the final girl of part 4. But Rachel (Ellie Cornell), her adopted sister, is kinda one too. She was a bit more active than Jamie because she was older.  Rachel protected her little sister, fell off a roof, and ran Michael down with a truck. Very badass. So, when he stabs her in the chest at the beginning of 5, it’s disappointing. Especially because that leaves us with Tina (Wendy Kaplan). Ugh.

      Tina is the worst

      With Rachel gone, her friend Tina is left as Jamie’s caretaker. The character is annoying as hell. Loud, boisterous, and zany in a way that’s supposed to be endearing but because of the actress’ limitations comes off as nails on a chalkboard. Plus, she’s an idiot. Jamie warns her that she’s in danger, but Tina ignores her and runs off to a party. Girl, stay at home and lock the doors. You almost want her to die. And she does, while trying to save Jamie. At least she served one purpose.

      The Keystone Cops

      The screenwriters decided to inject some humor into the film by adding a pair of bumbling police officers. They even have their own clown-like theme music. Oh wow, these cops are so dumb. Isn’t that funny? No, no it is not. I’m ok with a little levity, but nobody needs a Laurel & Hardy routine in the middle of their horror movie. Also, I want my cops to be smart and capable. And willing to take a knife to the gut so I have some time to escape from the crazed killer.

      Loomis is so extra

      Donald Pleasence’s Dr. Loomis was never a subtle character. He runs around in five different Halloween movies crying about the evil that is coming. Like a macabre Chicken Little. But in this film, he takes it up a notch, throwing a fit in every scene because nobody believes his claims that Michael is alive. Pleasence chews on the scenery for breakfast, lunch, and dinner. It’s as if director Dominique Othenin-Girard told him to go even bigger after every take. And then his character has the brilliant idea to lure Michel to the old Meyers house, using Jamie as bait. He’s lucky they weren’t both killed. Calm it down, doc.

      That ending

      Throughout the film we see the mysterious man in black (not Will Smith), with the same tattoo on his wrist that Michael has on his, creeping through Haddonfield. After Michael gets carted off to jail, the mystery man shows up at the police station, kills everyone inside, and busts Michael out. What? Who the hell is this guy? And who thought this would be a good ending?

      Bright spot

      The best moment of the movie is when Jamie is trying to escape Michael while crawling up a laundry chute. It’s a tense claustrophobic terrifying scene. If only the rest of the movie could have been as good.

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      Posted in Movies | 5 Comments | Tagged 80s, Anniversary, Movies
    • AHS 1984 Recap…Slashdance

      Posted at 8:45 pm by Geoff, on October 3, 2019

      After last week’s episode, I had almost given up on AHS 1984. It sucked that badly. I was going to let episode 3 hang out on my DVR, but there was nothing better to watch last night. Surprisingly, I liked the show again. So, I’ll give it another shot and throw out some thoughts here.

      Nurse who?

      It turns out Rita isn’t who she claims to be. She’s actually Donna Chambers (total porn star name), a psychologist who conned her away into the asylum so she could meet Jingles. She got through to the normally unresponsive killer by explaining that she didn’t think he was evil and that she could cure him. So, Donna breaks him out of the loony bin, points him in the direction of Camp Redwood, and lets him slaughter everyone so she can study him. What kinda crazy therapy is that? This explains how she was able to “escape” from Jingles earlier. Also, this plan won’t bite her in the ass or anything.

      Ray is a tool and a coward

      Ray proves to be a complete coward. He wants to cut his losses (his fellow Redwood staff members) and run from Ramirez. Luckily, Chet is kinder and saves him from the Night Stalker. Ray repays him by leaving Chet behind after the former Olympian is impaled on a spike in a ditch. Great guy. We also hear Ray’s backstory from his fraternity days. After a pledge fell down a flight of stairs, Ray assumed he was dead and decided to cover up the accident to protect his brothers. Naturally, the pledge was alive. Check for a pulse, stupid! But he only discovered that as he was sending the kid over a cliff in a car. Yikes. Back at Redwood, Ray runs away, again, leaving Montana alone with Ramirez. As he’s making his escape, Jingles jumps out of the bushes and chops his head off, mid-motorcycle ride. The douche had it coming.

      Less is more

      Thankfully there was less screen time for the lame characters this week. For some reason, Rita/Donna drugged Brooke and dragged her off. Bye, final girl. Chet was stuck being impaled most of the episode. Is it bad I was hoping he’d die? Gus Kenworthy is a horrible actor. And Camp Redwood owner, Margaret, didn’t even make an appearance. An hour free of her Christian ranting was welcomed.

      Twist at the end

      Right when you think Richard Ramirez was going to mangle Montana, they actually started kissing. Wtf? Then she said, “Why haven’t you killed her already?” Could she be talking about Brooke? My guess is that she has a connection to our dumb heroine. Wild guess: Montana is the sister of Brooke’s psycho fiancée and she blames her for her brother’s death. It’s wacky but not completely out there given what show we’re watching.

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      Posted in TV | 1 Comment | Tagged 80, Recap, TV
    • Memoirs of an Imperfect Angel…10th Anniversary

      Posted at 11:21 pm by Geoff, on September 26, 2019

      In 2009, Mariah Carey released her twelfth studio album, Memoirs of an Imperfect Angel. I’m a huge Mariah fan. HUGE. I’ll get into that more in another post. Despite my devotion, though, I can be honest and appropriately critical. This isn’t one of my favorite albums in her catalogue. However, there are still some gems worth re-examing.

      14. The Impossible

      A dreary little song that Mariah wrote about her then husband Nick Cannon. It’s just…ugh. Two slow, boring, and vocally dry. I never liked Nick, so an ode to him wouldn’t win me over. Luckily, they divorced.

      13. Standing O

      This doesn’t get a standing ovation from me. It’s basically a “he did me wrong song”, which she has done better on so many other occasions. Throw in some overly written, yet unimaginative lyrics and you have a very blah track.

      12. Angels Cry

      A perfectly fine ballad about the end of a relationship. That’s all, just fine. I can’t say anything bad about it. On the other hand, I can’t say it’s a song I play very often. The big note at the end is nice though.

      11. Candy Bling

      This one is all about throwbacks. Mariah reminisces about young love while sampling from Ahmad’s “Back in the Day”. Normally I’d love a song full of nostalgia, but this drowsy number doesn’t do it for me. It could have been much livelier. If you want a better Mimi nostalgia-filled song, listen to “Dedicated”.

      10. I Want to Know What Love Is

      Ever since she scored a #1 hit with her cover of the Jackson 5’s “I’ll Be There”, Mariah has typically had a cover song on every album. Some work very well and others don’t. Foreigner’s IWTKWLI falls into the latter category. This seems like she threw in a cover just because. She doesn’t really change the song up much aside from adding a gospel choir. It’s a bit lazy actually.  

      9.  H.A.T.E.U.

      Hate U stands for “having a typical emotional upset”. Basically, Mariah has broken up with her man and she can’t wait to get to the part where she hates him. Right now, she’s in the “I’m hurt, but I still love you phase”. This track is just alright. Pretty vocals, especially the whistle notes, but overall, it’s nothing terribly memorable.

      8.  More Than Just Friends

      The sample really makes “Friends” pop. Here we have Notorious B.IG.’s “One More Chance”. Adding Mariah to the mix makes for a good combo.

      7.   Ribbon

      Mariah’s guy has her wrapped up like a gift with a bow on it. The imagery could use some work, but the hip-hop beat and her smooth vocals go well together.

      6.  Languishing

      This may be a short interlude, however it’s still one of the best tracks on Memoirs. Mariah loves to include an emotionally stirring song on her albums, usually near the end. Languishing is a very simple yet incredibly powerful piece of poetry.

      5.  Inseparable

      Mariah and her boyfriend have broken up and it’s a given that they’ll get back together. One of them needs to stop being stubborn and pick up their damn phone. A smooth sexy track that you can’t help but your nod your head to. It contains interpolations of Cyndi Lauper’s “Time After Time”, which add a nice element.

      4.  Betcha Gon’ Know

      The opener to the album. It’s unusual for Mariah in terms of the tone, pace, and structure. And that’s what makes it interesting. She sings about catching her man cheating. He doesn’t know she knows, so she has plenty of time to plot her revenge. And she’s gonna lalalalaugh in his face. For real, for real.

      3.  It’s a Wrap

      This is a modern-day doo-wop song. It begins with a gorgeous high note played over a dreamy melody and continues with an explanation of why she’s done with her trifling man. Mariah is known for throwing big words into her songs. Here it’s “acquiescent”. I’m sure some fans had to look it up. To put that into a verse along with a threat to “call Maury Povich” is delightful songwriting.

      2.  Up Out My Face

      The second-best kiss-off song on the album. Mariah reads her ex within an inch of his life. She tells him that she should have had another mechanic another her hood, orders him to quit calling her from his mama’s house, and claims the Harvard class of 2010 couldn’t even figure out a way to put them back together. Oh, and she cc’d all of his friends about his lame ass. Email burn. The kicker is the reprise with a marching band getting into the spirit. Break!

      1. Obsessed

      “I was like, why are you so Obsessed with me?” And with that Mean Girls quote, we have the #1 track.  The lead single off the album, Mariah wrote this after Eminem was running to the tabloids saying they’d hooked up. No, Slim Shady, it never happened. She hit back with a song talking about a lame douche bag who’s obsessed with her. The shade in this song is amazing. “You a mom & pop, I’m a corporation. I’m a press conference, you a conversation.” Aside from the lyrics, the beat, overlapping vocals, and feel good vibe make this the standout entry of Memoirs.

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      Posted in Music | 0 Comments | Tagged 2000s, Anniversary, Music
    • Downton Abbey…Review

      Posted at 10:52 pm by Geoff, on September 26, 2019

      I completely avoided Downton Abbey during its initial run on PBS, assuming it was just another boring period piece. But recently, I got curious and took a peek. One episode lead to all six seasons and now I’m a fan. Just in time for the film adaptation that came out this month.

      For those not in the know, Downton tells the story of the well-to-do Crawley family living in a lavish estate in early 20th century Yorkshire, England. There’s patriarch Robert Crawley, Earl of Grantham; his wife Cora, Countess of Grantham; their daughters, Lady Mary and Lady Edith; son-in-law, Tom; Violet, Dowager Countess of Grantham; and Cousin Eleanor. The downstairs staff at the estate is also featured. Butler Thomas Barrow; head housekeeper Mrs. Hughes; the cook, Mrs. Patmore; her assistant, Daisy; former butler and Mrs. Hughes’ husband, Carson; Anna, the ladies’ maid and her husband John, the valet; Cora’s maid, Baxter; nutty sometimes-footman, Molesley; and footman, Andy.

      Over the course of the series, the denizens of Downton, ran through several storylines. Romance, betrayal, adventure, and tragedy to name a few. Show creator, Julian Fellowes, manages to craft a captivating story for the film that picks up where the series left off. The King and Queen of England are coming to Downton for a visit, throwing the entire household into a tizzy as they get ready for the grand arrival. When the royal staff appears, with the intention of pushing the Downton servants out of the way, the drama (and hijinks) really kick in.

      Fellowes and director Michael Engler continue with the familiar, while driving things up a notch. The world becomes a bit bigger and cinematic. An assassination attempt, a mysterious heir, and an underground gay night club are added to the mix. But at the heart of it are these characters that the fans love. Each gets a chance to shine over the course of the 2hour film. I was particularly happy that gay villain turned fan-favorite, Thomas, was able to take a small step out of the closet. Widower Tom had a chance for a new beginning, as well. Plus, there were more witty zingers from the Dowager Countess. You can’t have too much of Dame Maggie Smith.

      I enjoyed spending a little more time in Downton with this new adaptation. And I’m quite glad I finally took a chance on a “stuffy” Masterpiece Theatre series.

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      Posted in Movies | 0 Comments | Tagged 20s, Movies, Reviews
    • Janet Jackson’s Rhythm Nation 1814…30th Anniversary

      Posted at 5:56 pm by Geoff, on September 23, 2019

      In September 1989, Janet Jackson released her iconic Rhythm Nation 1814. Her record company wanted a sequel to the successful Control album. Janet had other plans, choosing to make a concept album focusing on racism, poverty, and substance abuse, among other social issues. She threw in some romantic ballads and pop songs too. The formula turned out to be winner. Rhythm went to the top the Billboard charts and sold 12 million records. Here is a ranking of the 12 tracks.

      12. Lonely

      Lonely is pretty basic and boring. Don’t isolate yourself, let others in, blah blah. It’s like a step-by-step guide for hapless loners.

      11. Someday is Tonight

      This is sequel to “Let’s Wait a While” from Control. Janet lets her boyfriend know she’s finally ready to go all the way. Eh, this wasn’t worth the wait. It tries too hard to be sensual and ends up sounding very cheesy.

      10. Livin’ in a World (They Didn’t Make)

      Janet sings about children being corrupted by a shitty world that adults have created A valuable message that gets lost in a sappy ballad. The kids deserved better than this.

      9. Alright

      I was never a huge fan of Alright. It’s a cute dance track, but nothing special. Great video, though.

      8. The Knowledge

      The concept here is knowledge equals power. In order to change the world, we need to begin with the children, giving them an education and stressing tolerance. I like her delivery over the hip-hop beat here.

      7. State of the World

      This a better message song than “Livin’ in a World”. It’s a catchy jam with powerful lyrics about homelessness, bullying, and crime. Something to think about while you dance.

      6. Black Cat

      Janet lets her inner rock star out in an unexpected turn from her normal sound. She makes the shift effortlessly and rides that electric guitar for all its worth.

      5. Escapade

      This is the perfect road trip song. Getting away with your friends and cranking up radio, as you did in the pre-Spotify days. It makes you want to sing-a long and save our troubles for another day. Indianapolis!

      4. Love Will Never Do (Without You)

      A sexy fun song. She sings about how people doubted her relationship with her guy because they were so different. In the end, they proved their friends wrong. The video for Love was a big departure for Janet. She was showing more skin and being flirty with the viewer. Giving us a taste of things to come.

      3. Come Back to Me

      The strings sound amazing on this track. I also like how she uses her lower register as she’s begging her lover to return. My favorite part is when she goes silent for a few seconds and you think it’s over, until she comes rushing back with another verse. It’s a beautiful song.

      2. Rhythm Nation

      This feels like Janet’s version of “Fight the Power”. She talks about coming together to push back against injustice. In an interview at the time, she said that she felt a responsibility to use her music as a way of inspiring people and bringing about change. Rhythm became a battle cry that resonated for a generation.

      1. Miss You Much

      I’ll tell your mama, I’ll tell you friends about how much I love this song. It’s classic Janet. A vibrant dance track with a bombastic sound. The other day I heard it played in a new movie and I couldn’t help but dance in my recliner seat. Thirty years later, this is still a hit.

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      Posted in Music | 2 Comments | Tagged 80s, Anniversary, Music
    • AHS 1984 Recap…Camp Redwood

      Posted at 11:08 pm by Geoff, on September 19, 2019

      It’s time for another season of American Horror Story. This time creator Ryan Murphy is paying homage to 1980s slasher movies. Think Friday the 13th Parts 1 through infinity. I always look forward to a new season of AHS and slasher movies are one of my favorite genres. So, this should be interesting…until it isn’t. This a Ryan Murphy show after all. In any event, these are my thoughts on episode one.

      1. Mr. Jingles is scary as hell

      A slasher movie (or tv show) is only as good as it’s killer and 1984 has gnarly one with Benjamin Richter aka Mr. Jingles. We learn that he was a Vietnam vet that REALLY liked killing the enemy. So much so that he went back for a second tour. His favorite thing was collecting the ears from his kills and making a necklace out of them. Eww. This led to a dishonorable discharge. Post-Vietnam, Richter got a job at Camp Redwood. They called him Mr. Jingles because of the jingling keys he always had on his hip. One summer night in 1970 he snapped, killing 9 counselors/campers and cutting off their ears. He was caught and sentenced to a mental institution. Cut to 1984 with Jingles busting out of the asylum and heading back to a newly reopened Redwood. He murders a few people on his way, naturally, and terrorizes poor Brooke (more on her in a bit). This man is a walking nightmare.

      2. The cast is pretty likeable

      Normally you don’t care who gets chopped up in a horror film. But in this case, I actually like a majority of the characters and hope they make it. They won’t of course. Good girl (and probable final girl) Brooke is the center of the group. She’s virginal, sweet, and demure. So many layers of clothing, even in summer. She’s not so bright though. Leaving your window open while you sleep so a crazed killer (the AHS rendition of the very real Night Stalker) can break in. Traipsing around the woods on a dark rainy night. Stay inside with the others! And after nearly being killed by Mr. Jingles she still goes outside by herself to answer a ringing pay phone. Geez. I have a feeling I’ll constantly be saying, “Oh, girl” or “Don’t do that, girl”, or “Run faster, girl!” a lot with Brooke. Hopefully she gets stronger and wiser over the course of the season. The rest of the counselors include: Xavier the aerobics instructor/aspiring actor. Montana, the bad ass chick. Nice muscle guy, Ray. And hothead muscle guy/former Olympic team member, Chet. Then there are the other employees: smart no nonsense Nurse Rita, grizzled Chef Bertie, and activities director Trevor. Special attention must be paid to Trevor’s junk. He has a huge wang that is showcased in very tiny 80s shorts. Basically, his schtick is his schlong. Lastly, there’s camp owner Margaret Booth. She survived the 1970 massacre (minus a left ear) because of Jesus (her words). I can tell her strict religious nature is gonna get old. I might not mind if she’s offed.  

      3. The nods to other scary movies are fun

      I enjoy a good homage and 1984 has plenty. Obviously, this entire show is a callback to Friday the 13th. The 80s, a maniac on the loose, chase scenes in the woods, and horny counselors. You expect Jason to pop up at any moment. That’s his thing after all. There’s also a nod to Halloween. When Jingles breaks out of the nut house, he opens the cells of the other patients. They’re roaming the lawns just like in the beginning of the original Halloween. Then there’s the gas station attendant who warns the kids from going up to Redwood. Pretty standard to have an all-knowing townie. Here’s something, if you live in a town where scary shit went down wouldn’t you move away? Heed your own warning, gas guy. And similar to Texas Chainsaw Massacre, the gang picks up a freaky guy on the side of the road. In this case, after they mow him down.

      4. All the mysteries

      Who left the threatening message on Xavier’s answering machine? What was that phone call about at the end? Who was watching from the van as Montana and Trevor “splashed around” in the lake? What happened to the hiker’s body? How did the Night Stalker find Brooke? Why ears? Again, ewww. So many questions that I’m looking forward to getting answered.

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      Posted in TV | 0 Comments | Tagged 80s, Recap, TV
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